Economy, prudence, and a simple life are the sure masters of need, and will often accomplish that which, their opposites, with a fortune at hand, will fail to do. –Clara Barton
Snow Goose in Flight, San Bernardo National Wildlife Refuge, New Mexico. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
As you may have guessed, dear readers, Harvey destroyed our house. For the past month, we have been struggling to begin the clean-up while still going to our jobs. This last week we managed to get back out into the field for the first time in quite a while. Although too hot to really enjoy being out, it reminded us of the joy birding has been for us in the past, and what a source of pleasure it will be in the future.
On this outing, we visited East Beach, Galveston hoping for some migrant shorebirds and Lafitte’s Cove hoping for some migrant songbirds. Neither spot was very birdy during our visit. In the shorebird department, we saw only Least Sandpipers, Black-bellied Plovers, and Sanderlings (the usual suspects). At Lafitte’s Cove, in addition to resident birds, we saw but a single Magnolia and Wilson’s Warbler . . . .
Sandhill Crane in Flight, San Bernardo National Wildlife Refuge, New Mexico. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
But soon, it will be cool, and the ducks and geese will return. The Sandhill Cranes will return, and the beaches will swarm with migrant shorebirds, and the woods will teem with migrant songbirds. Soon even the bloodsucking flies will disappear (mostly), and we’ll not have to be slathered in sunscreen to avoid getting fried. In short, this birder’s world will return to the paradise it often is, and dreams of local and far-away trips can return, and the healing can begin . . . .
Singing Snow Bunting on Drift Log, Anton Larsen Wall, St. Paul Island, Pribilof Islands, Alaska. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Twitchers are only interested in adding to the list of rare birds which they have seen. With their intelligence network, the[y] are ready to set out at the drop of a hat at any time of the day or night to travel large distances for the prospect of seeing a migrant lesser spotted scrub warbler, or whatever . . . .–Julie Fairless, Why are bird watchers called twitchers?
Rock Sandpiper, Black Diamond Hill, St. Paul Island, Pribilof Islands, Alaska. Guided visits to birding meccas often have a twitcher aspect. The network of local guides keep each other informed of where the birds are. The day after spending a delightful two hours photographing Lapland Longspurs, Snow Buntings, and Rock Sandpipers at Black Diamond Hill, I asked our leader to go back. He said that the birds weren’t there anymore. Canon EOS 5DIII/600mm f/4L IS (+1.4x TC). Natural light.
There are apparently many definitions (often tongue-in-cheek and with varying connotations) of twitching. There is even apparent disagreement as to whether the term is originally British or American. Most definitions reference traveling large distances to see rarities. Some twitcher definitions cite birds being blown off course, or otherwise being present well outside their normal ranges. Some reference that the activity is primarily to add to a list–not to seriously study or experience the bird the way a real bird watcher would. In many cases, the term is pejorative. Clearly twitching is many things to many people. There are probably as many definitions as there are birders (or bird watchers or twitchers). My definition: traveling (near or far) to see a bird or behavior (rare or common) that I have not (or rarely) seen before after receiving a tip.
Mallard Hen with Ducklings, Cheney Lake, Anchorage, Alaska. I saw this ethereal scene on a twitch to see a Red-necked Grebe with young. The white spots are feathers floating on the surface of the water. The Mallard Drakes were molting from breeding into eclipse plumage (fodder for a future post!). Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Experience, I think, will dictate whether a birder thinks twitching is worthwhile or not. After all, time, energy, and resources are very limited for most of us. While exciting, is time chasing oddities worth doing when you could be spending time at places that are nearly a sure thing?
On a recent twitch to see a Jabiru Stork in agricultural fields north of Anahuac National Wildlife Refuge, the only bird of note we saw was a King Rail. This episode highlights many of the inherent problems in twitching. On a twitch you’re typically going to a new place. This means you don’t know the direction of the light or the details of the terrain or cover–so you don’t know which lens to have handy or where to park or where the birds are most likely to be. On this trip, I assumed that the Jabiru would be in an open field, probably with standing water, a long away. So I put my 2.0x teleconverter on the 600mm lens on the crop sensor body and had the big rig ready to go behind the seat.
In the general area where the stork had been seen, a line of cars was already parked. After parking, I started walking down the road surveying the fields with my binoculars. Once several hundred yards from our vehicle I came across another birder who pointed out the King Rail no more than three yards away from the side of the road in a drainage ditch! After hustling back to the truck, I drove back, pulled out the handiest (but way too big!) lens, got off a few (miserable) shots before the bird disappeared forever into the brush.
It’s a hard-learned lesson, and one I should have learned a long time ago: Always have a camera with you in the field! Even if it’s hot and schlepping it around is awkward and annoying! Had I brought a second body with a modest and versatile lens (like a 100-400mm zoom), I wouldn’t have been kicking myself for the past week!
Object Lesson: King Rail, near Anahuac National Wildlife Refuge, Texas. This bird was spotted on a twitch to see a Jabiru Stork. Easily confused with the much more common Clapper Rail, the slightly larger King Rail can be identified by the brown stripe down the back of the neck. King Rails inhabit freshwater environments and Clapper Rails (except the Yuma subspecies) inhabit brackish and marine marshes. But . . . salinity is a continuum along the coast, and Clappers and King Rails interbreed where their ranges overlap. Canon EOS 7DII/600mm f/4L IS (+2.0x TC) (unfortunately). Natural light.
All around, people looking half dead
Walking on the sidewalk, hotter than a match head . . . .–Summer in the City, Lovin’ Spoonful
The Golden Hour, Fiorenza Park, west Houston. An inconspicuous red-eared turtle spies on two Mottled Ducks as they glide past. Canon EOS 5DIII/600mm f/4L IS (+1.4x TC). If you arrive around 7 AM, you can watch the edge of illuminated water slowly track across the lake. Photo taken from ground pod. Natural light.
It’s taken about two weeks to get back into the field after our return from Alaska. After living two weeks around 38º F, the prospect of being out when it’s near 38º C hasn’t sounded too inviting. But this week I took advantage of a so-called “cold front” and visited Fiorenza Park in west Houston. While trying to photograph fishing cormorants and waders from my ground pod by the bridge, a fellow traveler (JD) told me that a Bald Eagle was perched on a snag on the other side of the park. Ultimately I saw no eagle, but while walking to the snag I came upon a family of Loggerhead Shrikes–two young and a parent.
Loggerhead Shrike Fledgling on Sycamore Sapling, Fiorenza Park, west Houston, Texas. Canon EOS 5DIII/600mm f/4L IS (+1.4x TC). Natural light.Adult Loggerhead Shrike on Cypress Sapling, Fiorenza Park, west Houston, Texas. Canon EOS 5DIII/600mm f/4L IS (+1.4x TC). Natural light.
Luckily, I was able to observe the adult hunting insects in the grass as well as begging and feeding behaviors. On this visit, I found the colors of the trees, especially the small ones, to be quite rich and beautiful–almost autumn-like. Of course, the rich colors are the result of heat stress, and these small trees have begun the slow process of being baked to death under a brutal Texas sun. But, the return of rains mid-week may have ended the dying time for this summer . . . .
Adult Loggerhead Shrike with Begging Fledgling on Heat-stressed Cedar Elm(?), Fiorenza Park, west Houston, Texas. Canon EOS 5DIII/600mm f/4L IS (+1.4x TC). Natural light.A Pair of Begging Loggerhead Shrike Fledglings with Parent, Fiorenza Park, west Houston, Texas. Canon EOS 5DIII/600mm f/4L IS (+1.4x TC), Natural light.
The traveler sees what he sees, the tourist sees what he has come to see.–Gilbert K. Chesterton
King of the Hill: Male Mountain Bluebird on American Bison Dung, Yellowstone National Park, Wyoming. What a lovely spot to prospect for seeds and bugs! Canon EOS 7D/500mm f/4L IS (+1.4x TC). Natural light.
We know plenty of birders who are perfectly happy birding around the Houston area with never a thought of traveling to bird. Their birding activities often taper off by May with the end of the spring migration. We bird into the summer but by about late June, we are more than ready to say goodbye to the Texas Gulf Coast swelter (and the Summer People and their various noisemakers) and hit the road for somewhere new.
Since we started birding, summer trips are almost invariably well to the north for obvious reasons, ornithological and climatological. After a temporary lapse of reason, we once traveled to the Rio Grande Valley during summer, and we have been known to visit the deserts of West Texas, New Mexico, and Arizona during the hot weather–usually in areas that have altitude, though. Right about this time of year I can’t help but think of General Sheridan . . . “If I owned Texas and Hell . . . .”
Common Raven with Rodent Carcass, Yellowstone National Park, Wyoming. Yellowstone is a great birding destination, but brace yourself for hellacious crowds of yahoos. The only National Park with more outrageous mobs is Great Smokey Mountains National Park, the most visited-by-yahoos park in the country. Canon EOS 7D/500mm f/4L IS (+1.4x TC). Natural light.
National parks are prime birding destinations and our greatest national treasure, but we will also travel to state parks, national wildlife refuges, or even simply regions (hopefully desolate) of the country with a different avifauna. Sometimes we travel with the intention of seeing particular species or habitats, other times we’re perfectly open to whatever we find. Sometimes, then, we’re travelers and sometimes we’re tourists, in Chesterton’s terminology.
Singing Song Sparrow (Dark Western Race) on Driftwood, Olympic Peninsula, Washington. Canon EOS 7D/300mm f/4L IS (+1.4x TC). Natural light.
The greatest danger in birding travel is to remain unchanged by it, to become part of the gawking rabble at the foot of the mountain. Think of the Sinclair Lewis’ satire of travel and travelers in The Man Who Knew Coolidge and their inability to become broadened by the experience. He must have had quite a laugh at the rubes . . . .
To avoid being an ugly birding American is to travel with purpose, general or specific, to place one’s observations from new geographies into the context of what you already know about your birds. You won’t hear a Wilson’s Warbler sing in Texas, but you will in Oregon. To complete the picture, the birder must travel because the birds do . . . .
Young Male Rufous Hummingbird, Tom Mays Unit, Franklin Mountains State Park, West Texas. The photo-blind at Franklin Mountains is currently under construction. Perhaps it will be complete by our next visit. Canon EOS 7D/600mm f/4L IS (+1.4x TC). High-speed synchronized fill-flash.
I saw a crow building a nest, I was watching him very carefully, I was kind of stalking him and he was aware of it. And you know what they do when they become aware of someone stalking them when they build a nest, which is a very vulnerable place to be? They build a decoy nest. It’s just for you.–Tom Waits
White Ibis Chicks, McClendon Park Rookery, Houston, Texas. Canon EOS 7DII/600mm f/4 L IS (+1.4x TC). Natural light.
One of the best things about being a birder on the Texas Gulf Coast is being able to continue having great birding experiences right after the spring migration ends. Courtship, nesting, and rearing young continue right into the summer–to be followed shortly by fall migration! In addition to visiting Smith Oaks Rookery as we always do in spring and early summer, we have been visiting the McClendon Park Rookery. White Ibis and Cattle Egrets are the main attractions at this new rookery.
Cattle Egret with Stick, McClendon Park Rookery, Houston, Texas. Cattle Egrets gather nesting materials well into June. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
We have seen young White Ibises before at the Pilant Lake Rookery at Brazos Bend State Park, but McClendon offers much better views–but under less aesthetic conditions. I learned a bit about etiquette at McClendon the other day: Did you know that when you drive by photo-birders you should blow your horn and scream gibberish at them? People must be visiting southwest Houston from Dauphin Island, Alabama! Another photo-birder got beaned by a projectile thrown from a passing car at McClendon. There is apparently no shortage of riffraff in this part of town–so watch yourself if you decide to bird here.
Attempted Siblicide, Smith Oaks Rookery, High Island, Texas. The aggressor struggled mightily to toss its nest-mate to the alligator-infested water below. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.Snowy Egret Family, Smith Oaks Rookery, High Island, Texas. Snowy Egret chicks are almost as brutal to each other as Great Egret chicks are. Canon EOS 7D/600mm f/4L IS (+1.4x TC). Natural light.
Clearly, rookeries offer observations of some of the most interesting bird behavior–from displays, feeding, and young birds trying to murder each other–and all the adults are in their plumed finery! Snowy and Great Egrets seem to have to most active, aggressive young. We haven’t witnessed cormorant chicks trying to kill each other, but they put on quite a show when a parent returns to the nest with food. The violent, in-your-face action makes photography difficult, although we continue to try when opportunities present themselves.
Hopeful Neotropic Cormorant Chick with Parent, Smith Oaks Rookery, High Island, Texas. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Finally, as we continue to bird over the years, we continue to rack up observations of additional species at new locations. To expand our rookery knowledge, we will now have to travel to more logistically challenging spots–namely rookeries that require a boat to observe. I have briefly observed a Reddish Egret/Tricolored Heron rookery from a distance by boat in Galveston Bay, and can’t wait to get back. It’s just a matter of time and money. That’s all!
Juvenile Tricolored Heron, Galveston Bay near Brazoria National Wildlife Refuge, Texas. Image taken from a boat on a brutal white-hot day. Thanks to DS for access to the boat. Canon EOS 7D/500mm f/4L IS (+1.4x TC). Natural light.
Nothing’s beautiful from every point of view. –Horace
Portrait: Wood Duck Drake, Albuquerque, New Mexico. Sometimes to get a shot you have to lie in duck poop! Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
From time to time, I like to revisit old work and give it a tune-up. Perspective in Nature Photography was one of the weaker past offerings that I have polished and expanded in light of greater knowledge and experience.
Egg Hunter: Rat Snake (Elaphe obsoleta), Houston Arboretum. Tree-climbing snakes often eat eggs and baby birds. Many consider that photographs taken on-level with the subject give the image maximum impact–and snakes are hard to make look good any other way! Canon EOS 50D/100-400 f/4.5-5.6L IS. Natural light.
In this expanded article, I attempt to tackle the topic of perspective from several possible angles. Ha! I offer a few tips and techniques and opine and philosophize about a few aesthetic matters. Enjoy!
Western Gull, southwest Oregon. Sometimes you have to lie in the mud, too! Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Contrast is what makes photography interesting. –Conrad Hall
Great Egret with Shad 1, Fiorenza Park, Houston, Texas. The bird was photographed against a shaded patch of water. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Many consider the complete isolation of the subject to be an ideal in photography. This is often accomplished by photographing the subject against a contrasting, clutter-free backdrop using a shallow depth of field. Ironically, the bridge at Fiorenza Park in southwest Houston allows this sort of image to be taken in several different ways. And depending on the direction you shoot near the bridge, you can capture portraits of birds with remarkably clean backgrounds in a variety of colors.
Cormorants and a Great Egret, Snowy Egret, Green Heron, and a Great Blue Heron typically fish around the bridge, and are about the only subjects you’ll find in this area. The waders stand on the bridge and pluck fish from the water. Sometimes they turn around and eat the fish while standing on the bridge. Neotropic Cormorants (and a few Double-crested Cormorants in winter) fish from the water, often emerging with a wriggling fish in their beaks . . . .
The Flip: Great Blue Heron with Shad, Fiorenza Park, Houston, Texas. Canon EOS 5DIII/600mm f/4L IS (+1.4x TC). The action is close enough at the bridge to use a full-frame body without fear of not having enough reach. Shot from ground pod across the bridge from the south. Natural light.Great Egret with Shad 2, Fiorenza Park, Houston, Texas. Here the bird was photographed against a brightly illuminated patch of water from south of the bridge. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
I should note that photographing around the bridge presents a number of challenges in addition to the usual ones nature photographers face. Heavy human foot traffic often spooks the birds–but they return quickly. The bridge itself with its white hand railings is an eyesore that you definitely want to keep out of your shots. Because the cormorants often swim beneath the bridge, the action switches from one side to the other. Using a ground pod clearly helps to photographically isolate the birds, but greatly limits mobility leading to missed opportunities when the action shifts to the other side of the bridge. Finally, there is no shade for a photographer working the bridge. I generally shoot in the early morning before it gets too hot, so I will stand on the east side of the bridge with the sun at my back.
Great Egret with Shad 3, Fiorenza Park, Houston, Texas. In this case, the background is the cement walkway of the bridge itself. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
In general, a photographer has a number of choices regarding the bridge. They can position themselves on the sidewalk, or north or south of it. If you stand on the sidewalk when a wader grabs a fish and turns around to eat it, you can capture images like the one immediately above. Shooting slightly downward from a tripod, the sidewalk cement makes a uniform backdrop slightly darker than the bird. Shooting from the sidewalk or south of it allows you to capture images like the others in this post.
Sometimes the waders will have shaded or unshaded water behind them leading to dark green or blue backgrounds. I generally photograph cormorants fishing on the south side of bridge form a standing or kneeling posture and capture a wavy background. From a ground pod, you can achieve maximum isolation of the birds, but with the opportunity cost noted above. If you stand north of the bridge you will generally be at a disadvantage–with one exception. When birds fish on the north side they are very close close to the shore, allowing for some really tight shots . . . .
Now, get out there and photograph some birds!
Neotropic Cormorant with Big “Plecostomus,” Fiorenza Park, Houston, Texas. This is a low angle shot (kneeling) of a bird at close range. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.Butter Beak: Neotropic Cormorant with Shad, Fiorenza Park, Houston, Texas. Canon EOS 5DIII/600mm f/4L IS (+1.4x TC). Shot from ground pod. Natural light.
Art must take reality by surprise. –Francoise Sagan
Snowy Egret with Breeding Plumes, Fiorenza Park, Houston, Texas. This gorgeous bird was plucking threadfin shad from the bayou between the lakes. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Although better known for its traffic jams, litter, and active panhandler community, southwest Houston will occasionally yield a scene of natural beauty if you look hard enough. Fiorenza Park has been a frequent destination these days, given that I haven’t been much up for driving. Here, I have been seeing mostly common birds, but they’ve been very active hunting and fishing. Some of the images recently gathered at Fiorenza will likely feature in future posts.
Great Blue Heron in Fight, Fiorenza Park, Houston, Texas. The hill overlooking the bayou between the lakes is a good place to camp out to capture birds in flight. You’ll mostly see waders and cormorants but an occasional raptor (even a Bald Eagle) will soar past. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Based on a tip from MAW at a recent HANPA meeting, we also made a couple of visits to a new wader rookery just west of Highway 6 and south of old Westpark Drive, dubbed the McClendon Park Rookery given its proximity to that park. Despite the patch of woods in question being surrounded by busy streets (from which yahoos will shout questions at you), several hundred Cattle Egrets and White Ibises are nesting. A few Snowy Egrets, Black-crowned Night-Herons, and Tri-colored Herons are also present, but we couldn’t determine if they were nesting or not. I also understand from MAW that Anhingas are nesting in the center of the colony, but as far as we could tell were not visible from the street.
At this new rookery you can still get a few glimpses of White Ibis nestlings. Further, Cattle Egrets are currently nest-sitting and babies should be upon us shortly. Because the egret nests are close to the street, excellent images should be possible soon–despite thick brush and tricky lighting. But keep in mind: Shooting at suburban parks requires a different type of patience than shooting in the wild. You have to get it out of your head that the humans will leave you to your work . . . .
Cattle Egret in Breeding Plumage, McClendon Park Rookery, Houston, Texas. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Strangely, the rookery ibises and egrets did not seem to be flying to nearby Fiorenza Park to hunt or fish, nor were they hunting in McClendon Park. Rather, they were flying off to the northeast for parts unknown. Finding the place where they are gathering food might also present some future opportunities for photography. I would expect White Ibises to be feeding their young mostly crawfish. On the other hand, we did notice that there were many Cattle Egrets feeding in grassy areas in southeast Houston in general. Perhaps the rookery egrets, too, are sustaining themselves with terrestrial prey and are not seeking out bodies of water. Once young are visible in the Cattle Egret nests, it should be possible to determine if they are being fed terrestrial or aquatic prey or both. Time will tell.
With a Little Help From the Humans: White Ibis Nestlings, McClendon Park Rookery, Houston, Texas. I thought I had some nice shots of nests–but note the trash. Further evidence that humans improve everything. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Isn’t life a series of images that change as they repeat themselves? –Andy Warhol
Dunlin (Breeding), South Shore, Lake Superior, Wisconsin. The bright rufous back is unique for a North American sandpiper. Note how trim this bird is compared to the Texas fatties below! Flying a few thousand miles will definitely get a bird in shape! This bird was still on its way to the Arctic. Photo taken in June, 2013. Canon EOS 7D/500mm f/4L IS (+1.4x TC). Natural light.
I continue to find bird watching a most challenging hobby. This week, after reading an article about cormorant identification, I discovered to my horror that I had misidentified several birds in previous posts. I was going by a common field mark (no yellow lores on Neotropic Cormorants), published in many field guides—that is wrong! As a result, I went through the entire blog and made corrections.
Small sandpipers, too, are the stuff of nightmares, as far as bird identifications go. For some reason, I often find myself staring at Dunlins, trying to establish a gestalt to distinguish them from the other look-alike cutie-pie sandpipers they might be . . . .
Dunlin (transitional), East Beach, Galveston Island, Texas. Photo taken this spring. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Because Dunlins breed in the Arctic and winter along the Texas Gulf Coast, we usually don’t see them in their distinctive breeding colors. This spring I’ve seen a few transitioning into breeding plumage, though. And in those cases, it really helped with the identification—especially the black belly feathers coming in, which are unique for a Texas sandpiper. Otherwise, I’m looking for black legs and a long, droopy black beak on a butterball. If you see these features, you’ve only got to make sure you haven’t got a Western Sandpiper, and you’re done—except for figuring out what the bird’s up to!
Dunlin (Nonbreeding), Frenchtown Road, Bolivar Peninsula, Texas. Photo taken November 7, 2016. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Portrait: Whimbrel, Frenchtown Road, Bolivar Peninsula, Texas. Whimbrels will soon be gone: They nest in the arctic, mostly Alaska and around Hudson’s Bay. Frenchtown Road is the only dependable place to see them around here (that I know of). Canon EOS 7DII/600mm f/4 (+1.4x TC). Natural light.
When not chasing songbirds around during migration, we’re chasing shorebirds! In one sense, we’ve been less successful on the shorebird front than the songbird front this year. Specifically, this spring we saw two new warbler species (Blackpoll and Prairie, making a total of 38 species!), but we have yet to see a new shorebird. But it hasn’t been for lack of trying.
On the Way to the Arctic: Long-billed Dowitcher, Lafitte’s Cove, Galveston Island, Texas. This bird seems to have a “straight” supercilium, a “brick-red” cast to its feathers, a straight bill tip, and a relatively low-set eye (a “loral angle” of 19 degrees)—all Long-billed Dowitcher features. The loral angle was defined by Lee and Birch (2006). Canon 7DII/600mm f/4L IS (+1.4x TC). High-speed synchronized fill-flash.
As far as shorebirds (and waterbirds) are concerned, it really has been a “usual suspects” year. There are lots of Least and Western Sandpipers, Dunlin, dowitchers, and Semipalmated, Snowy, and Wilson’s Plovers around places like East Beach, Lafitte’s Cove, and Frenchtown Road (a favorite spot). And I can say that we’re getting better at identifying the trickier ones. Snowy, Semipalmated, and Piping Plovers are no longer look-a-likes in the field. I’ve even attempted to study up on dowitcher identification, one of the toughest challenges in North American birding. I feel more confident in my dowitcher identifications, but whether or not I’m right . . . .
Short-billed Dowitcher, Frenchtown Road, Bolivar Peninsula, Texas. This bird has an arcuate supercilium, an orangish cast to its feathers, and a relatively high-set eye—all Short-billed Dowitcher features. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Finally, irrespective of which species you love most, the shorebird migration has two distinct advantages over the songbird migration. First there are almost never crowds. You can always find a lonely stretch of beach to bird alone. Second the beaches are almost always breezy enough to spare the birder the annoyance of mosquitos. Oh, yeah . . . and then there is the magnificent sea . . . .
Bathing Female Red-breasted Merganser, Frenchtown Road, Bovlivar Peninsula, Texas. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Reference
Lee, Cin-Ty, and Birch, Andrew. 2006. Advances in the Field Identification of North American Dowitchers. Birding (Sept./Oct.): 34-42.
Never say there is nothing beautiful in the world anymore. There is always something to make you wonder in the shape of a tree, the trembling of a leaf. –Albert Schweitzer
Black-throated Green Warbler on Grapevine, Lafitte’s Cove, Galveston Island, Texas. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
As we get into May, the number of migrant songbirds appearing at the coastal migrant traps will begin to taper off. We found this spring to be a mixed bag of birding experiences. Due to south winds, we went long stretches without seeing much. Visits to the Corps Woods (Galveston), Smith Oaks, and Quintana did not bear much fruit. But there were a few really birdy days at Lafitte’s Cove, 4/23 and 4/30, for example. The mix of migrant songbird species here was a bit different from migrations of the recent past, though. We continue to hope for some good sightings before the spring migration effectively draws to a close . . . .
Tennessee Warbler with Grape Leaffolder Caterpillar (Desmia funeralis), Lafitte’s Cove, Galveston Island, Texas. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
As always at Lafitte’s Cove, there were quite a few Black-throated Green Warblers, but there were far fewer Black and White, Magnolia, and Hooded Warblers. We haven’t seen the “usual” unusual bids like Canada, Golden-winged, Bay-breasted, Blue-winged, or Kentucky Warblers (yet). We also only saw a handful of Prothonotary, Yellow, Palm, and Chestnut-side Warblers along with a single Ovenbird. On the other hand, Tennessee Warblers were around in large numbers.
Shy Bird: Palm Warbler on Grapevine, Lafitte’s Cove, Galveston Island, Texas. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
For the first time ever we saw Blackpoll and Cape May Warblers, and a single Prairie Warbler at Lafitte’s Cove. On 4/23 there were loads of Red-eyed Vireos (and at least one Black-whiskered Vireo), but we haven’t seen more than a handful of White-eyed Vireos, typically one of the most common migrants in the migrant traps. My impression is also that the number of other “common” brightly-colored songbirds like Indigo and Painted Buntings, Orchard and Baltimore Orioles, and Summer and Scarlet Tanagers has been down relative to recent years.
Male Orchard Oriole on Grapevine, Lafitte’s Cove, Galveston Island, Texas. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
But what really struck me at Lafitte’s Cove this year was the central role of the grapevines in attracting birds. The sanctuary at Lafitte’s Cove is an oak motte, a patch of trees on a slightly elevated section of a barrier island. As such, it is inherently a natural attraction for trans-Gulf migrants.
After several days at Lafitte’s Cove, however, it seems clear that the mere presence of the motte is not enough to explain why this spot is so much more attractive to birds than many other potentially similar localities.
I think the grapevines are the real draw. I witnessed many bird species eating grape leaffold caterpillars plucked from the grapevines. At times the vines were alive with foraging birds. For millennia, grapevines have been used as a symbol of blessing, and at Lafitte’s Cove they are a literal blessing to passing birds.
Building your own migrant trap? Plant some grapevines.
Quizzical Male Summer Tanager, Lafitte’s Cove, Galveston Island, Texas. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Red-eyed Vireo with Dragonfly Caught in a Spiderweb, Lafitte’s Cove, Galveston Island, Texas. Why go dragonfly hunting when the spiders do all the work for you? Red-eyed Vireos and Tennessee Warblers have been abundant at Lafitte’s Cove this spring. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Being the height of spring migration, we’re spending as much time as possible in the field. Weather conditions have determined that it will not be a great year for sighting Neotropical migrant songbirds along the Texas Gulf Coast (except for the fallout of 4/23!), but we have been seeing a few things of interest—notably Blackpoll Warblers, a Black-whiskered Vireo (Elisa only), and a Prairie Warbler at Lafitte’s Cove.
Male Blackpoll Warbler on Grapevine with Caterpillar, Lafitte’s Cove, Galveston Island, Texas. Blackpoll Warblers have been just behind Red-eyed Vireos and Tennessee Warblers in abundance this spring migration at Lafitte’s Cove. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). High-speed synchronized fill-flash.
We’ve also been seeing a variety of interesting predator-prey interactions we’ve not seen before. Catching songbirds in the act of grabbing prey in the dense thickets of a place like Lafitte’s Cove is the supreme challenge of bird photography. The split-second timing of the action, coupled with contrasty lighting conditions and a myriad of obstructions really test your resolve.
Slightly less formidable, though still not easy, is documenting waders and divers grabbing and eating prey. I truly love watching these birds going about making a living.
Where the Heck is My Shrimp Cocktail? Juvenile Neotropic Cormorant with Ohio River Shrimp (Macrobrachium ohione), Fiorenza Park, Houston, Texas. For a moment the bird lost track of the shrimp as it attempted to “flip” it into easy swallowing position. The Ohio River shrimp is one of the most common freshwater macroinvertebrates in North America—but try getting a shot of a bird eating one! Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.Juvenile Neotropic Cormorant with Shad(?), Fiorenza Park, Houston, Texas. This is the first time I’ve seen a cormorant eat a fish other than an armored catfish at Fiorenza. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Finally, we witnessed some survival of the fittest action in stark, brutal terms at the Smith Oaks Rookery, High Island.
Great Egret nestlings put on a show of pure Id as they attempted to jostle, push, or toss each other from their nests. One nasty little bird had its sibling by the scruff of the neck and attempted to toss it from the nest for a solid fifteen minutes. When it accepted that its nemesis was just as strong and heavy as it was, the aggressor cuddled up for warmth. Charming.
In less than two hours, I witnessed three displaced Great Egret nestlings being eaten by alligators. The Cain and Abel stuff probably tapers off for the night as the warming rays of the sun disappear.
One Stone-cold Killer Eats Another: Alligator with Great Egret Nestling, Smith Oaks Rookery, High Island, Texas. Canon EOS 7DII/600mm f/4L IS (+1.4x TC). Natural light.
Sometimes siblings can get in each other’s space. –Gisele Bundchen
