Contrast is what makes photography interesting. –Conrad Hall
Many consider the complete isolation of the subject to be an ideal in photography. This is often accomplished by photographing the subject against a contrasting, clutter-free backdrop using a shallow depth of field. Ironically, the bridge at Fiorenza Park in southwest Houston allows this sort of image to be taken in several different ways. And depending on the direction you shoot near the bridge, you can capture portraits of birds with remarkably clean backgrounds in a variety of colors.
Cormorants and a Great Egret, Snowy Egret, Green Heron, and a Great Blue Heron typically fish around the bridge, and are about the only subjects you’ll find in this area. The waders stand on the bridge and pluck fish from the water. Sometimes they turn around and eat the fish while standing on the bridge. Neotropic Cormorants (and a few Double-crested Cormorants in winter) fish from the water, often emerging with a wriggling fish in their beaks . . . .
I should note that photographing around the bridge presents a number of challenges in addition to the usual ones nature photographers face. Heavy human foot traffic often spooks the birds–but they return quickly. The bridge itself with its white hand railings is an eyesore that you definitely want to keep out of your shots. Because the cormorants often swim beneath the bridge, the action switches from one side to the other. Using a ground pod clearly helps to photographically isolate the birds, but greatly limits mobility leading to missed opportunities when the action shifts to the other side of the bridge. Finally, there is no shade for a photographer working the bridge. I generally shoot in the early morning before it gets too hot, so I will stand on the east side of the bridge with the sun at my back.
In general, a photographer has a number of choices regarding the bridge. They can position themselves on the sidewalk, or north or south of it. If you stand on the sidewalk when a wader grabs a fish and turns around to eat it, you can capture images like the one immediately above. Shooting slightly downward from a tripod, the sidewalk cement makes a uniform backdrop slightly darker than the bird. Shooting from the sidewalk or south of it allows you to capture images like the others in this post.
Sometimes the waders will have shaded or unshaded water behind them leading to dark green or blue backgrounds. I generally photograph cormorants fishing on the south side of bridge form a standing or kneeling posture and capture a wavy background. From a ground pod, you can achieve maximum isolation of the birds, but with the opportunity cost noted above. If you stand north of the bridge you will generally be at a disadvantage–with one exception. When birds fish on the north side they are very close close to the shore, allowing for some really tight shots . . . .
Now, get out there and photograph some birds!
©2017 Christopher R. Cunningham. All rights reserved. No text or images may be duplicated or distributed without permission.